"I draw on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-century modernism to make dynamic, retro-futurist wooden sculptures that evoke nostalgia for the past as much as they look to the future. I am fascinated by the way pieces of technology, culture, and design reveal their age and aim to make work that cannot be pinned to a specific era."

"I enjoy the silence and appreciate the rich thoughts that being alone brings to me. At the same time, I deal with ambiguous and incomprehensible darkness hidden deep in my heart. The project aims to visualize my inner dialogues and thoughts, which are sensitive, fragile, and dark."

"My photography is often spontaneous, unplanned, and serendipitous. I don't follow the pattern of traditional landscape and nature photographers who pre-plan their images; my style is more instinctive with an element of 'let's just go and see what happens!"

"I would like to give the viewer the opportunity to search for traces and to find his individual associations and interpretations. Usually, without a title, my paintings, therefore, do not indicate any associations. I feel lucky when my pictures become mediators of the unspeakable in conversation with the viewer."

“What matters to me is to show paintings in front of which the attentive spectator will settle down, enter into communion, take his own waking dream walk and dress, if only for a moment, in a rare, unusual sensation.”

"I am a laureate of the School of Plastic Arts in Rabat, my career spans more than 36 years of artistic experience in which I have organized several individual and collective exhibitions at the national and international level I also have several interviews, reports and press articles, the last of which was a very nice encounter with the watercolorists' magazine l'art de l'aquarelle."

“I love to capture that wondrous spiritual feeling of awe that certain places in nature emit. I paint from those memories and the peace and joy of having been there - even if only in my imagination. Painting nature is so inspiring and is the food for my soul on its journey."

Wendy Cohen is a Sydney-based artist whose practice focuses on the relationship of colours, shapes, lines, and forms with the relationship of natural and urban environments. Her aim is to highlight the interconnection of life by the integration of various shapes into a cohesive body of forms in conjunction with recycled or interesting collage elements.

"I've been drawing and painting since I was young. In my father's family there were many painters, so I kind of grew up with it and was encouraged by them. After a visit to Rijksmuseum in Amsterdam at the age of nine, I was determined, that was what I wanted to be, a painter."

"My work is evolving towards creating scenes that subtly exaggerate reality. Patience is really important to me in art, it clearly shows when someone puts thought and time into a piece; Jeremy Geddes is the perfect example of this, I really admire his work."

"The images I capture reveal my dreams, my fairy tale; that irrational language that feeds my spirit; an illusory encounter with myself, where I revisit my childhood, and where ordinary experiences become poetry. In stillness, I have found life to be a succession of vanishing, ephemeral moments."

recurring theme in Hiromi paintings is the "smile" and for her it represents painful experiences of the past. The artist has suffered from Myasthenia gravis (MG) and has faced death. It also has to do with the bitter memories of school days that she was not allowed to express. It was a very painful experience and she seems to have been desperate to live in the future. After treatment and rehabilitation, Hiromi has been able to think positively and create art that provides healing: "If it helps someone who has a hard time like me.

"After dedicating my life to describing in data the different scales of cartographic perception of the world, I now photograph its landscapes. As I described the earth on small and large scales, I now photograph grand vistas and intimate scenes. As I mapped immaterial as well as material phenomena, I photograph both fuzzy and precise subjects. As I mapped evolving and static phenomena, I see a temporality in everything I look at. Trees and rock particularly inspire me, because in my imagination, they symbolize two significant temporal scales, namely the duration of a life and eternity."

Asta Caplan is a Finnish-born visual artist living and working in Germany. Her work concentrates on the search and study of beauty: The works are spaces for contemplation allowing time for a closer look deeper inwards. Her search of beauty is also a search for the human sense of belonging to the world.

"I am a professional contemporary artist. My creative practice is process-based and currently, I am exploring drawing in its broadest sense, creating sculptural drawings and art installations. The materials I use are either recycled or upcycled, from plastics to newspaper, found objects & fabrics.”

Zha's paintings are rooted in his cross-cultural life experience, superimposing Eastern subject matter and aesthetics with Western techniques and conceptual approach. Zha brings to us, cut flowers symbolize the isolation and yearning of the pandemic era and hope into constraint and loneliness.

"I am a painter who creates detailed landscape paintings using acrylic paint on canvas. My work is often photorealistic, showing open views of nature. With these pieces, I seek to represent the rich variety of colours and textures of the plants, rolling hills, lakes and more dramatic elements."