"My work is inspired by real scenes from my closest environment, transforming them to endow them with symbolism and thus represent abstract concepts in which my thoughts, reflections, feelings, state of mind are reflected... Minimalist photography allows me to reduce a scene to the minimum expression, focusing on the essential and eliminating the superfluous."

"A large proportion of the population where l live is overweight. In a non-derogative way, l like to use their formal qualities to create personalities and use their shapes as a language in expressing a variety of ideas from the natural and the human world, sometimes, portraying people l know."

"My current project is titled "The Beauty of Decay". The painted plants serve as a metaphor in a world of mass products. The artworks are still lifes and combine three typical aspects of this genre: figurative painting, flower painting and the reference to transience. But while most classical flower still lifes show whole bouquets, I concentrate on individual flowers. This gives me and my works the opportunity to relate the vanitas motif to the individual as well. At the same time, with my series of paintings, I expand the admonishing still-life concept of transience to include the element of beauty. It is precisely in decay that the fragile and noble beauty of life is revealed."

"My abstract-baroque works are based on my personal exploration of the diversity of our being. They are at the same time a reflection of the universal love that unites us all and they are an expression of my deep respect for our being, for the wonders of life and for every creature in this world. Against this background, my works are a homage to life, to our being."

"Observing the natural world and mystery of transformation inspires me. My work depicts an ongoing search for the origins of form and exploration of portals to other dimensions. Shifting realities is a recurring theme in this work, as are transformation and challenging perception. Ideas that are thought-provoking, impactful, and engaging take form in the visible realm."

"Inner conflict / inner peace seems to be the most commonly recurring theme in my work. Often, my paintings attempt to process the whirlwind of emotions associated with the human experience. I find intent, meaning, and relation are all coincidental with creation, regardless truly personal work speaks to the collective consciousness."

"Classical realism is a driving force behind this painting. Coupled with a contemporary framework, the work is drawn from traditional inspiration & methods to replicate and expand on the 19th century French art movements, while using a theme familiar to traditional art."

“I like to explore the limits of the imagination; there is a nice sense of travel and freedom in this way of creating. I would like to offer a little journey to the spectator with my work. Where he can relax, imagine and feel free.”

Latvian artist, Aina Putnina graduated from the Art Academy of Latvia in 1992 and the Baltic International Academy in Riga, Latvia in 2011. Since 1994, Aina participates in exhibitions, workshops, plain airs and other projects in Latvia and abroad.

"The complex world of flowers from the visible down to the molecular scale and dancing, especially Irish dancing. These may seem disparate themes, but they inspire finished abstract works which are very comparable.
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"I aim to destigmatise mental health issues and make them a topic to openly address. Trauma is part of our human experience, and through my work, I try to make sense of this collective aspect which few of us will be able to escape."

"I consider my artwork as Contemporary Figurative. I mixt a few different styles to get a painting according to the times we live in. My work is the result of reflection, planning, analysis and execution through different techniques, although I try to make it seem fresh and spontaneous. Inspiration comes through different channels: an image; light and shadow effects; a concept or idea; a theme..."

"Transitioning from girl to mother feels like the moment that we acquire our protective layers, our feathers, scales and armor. But our interior becomes softer, more sensitive with the love and bond we develop for our children. So in some ways, we are weaker should something pierce through our armor."

"I draw on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-century modernism to make dynamic, retro-futurist wooden sculptures that evoke nostalgia for the past as much as they look to the future. I am fascinated by the way pieces of technology, culture, and design reveal their age and aim to make work that cannot be pinned to a specific era."

"My inspiration: shadow and light. Tension pulling in different directions. Suspense, endurance and patience until the right moment is there for that which has to mature and be born into something new. Thesis and antithesis become a synthesis. This is a big part of my inspiration."

“My current works focus on the invisible world, and much of my inspiration comes from my dreams. I am interested in humanity's relationship to the cosmos, particularly as it plays out here on Earth, in the relationship between individuals and nature. I hope to explore my interior world more deeply while expanding outward, to engage society and beyond.”

"My work draws attention to the continuity of images as they pass through time, from my all-American upbringing time frame to today’s contemporary imagery of outside graffiti. Inspired by multiple mediums, I can rarely confine myself to one art form, sculpture, mixed media, prints, and drawings."