"Despite my education, I am not so interested in Architecture as much as I am in Man. As a scientist, I explore issues regarding the relationship between Man and the environment and, aside from my research and teaching work, Man is a subject for my painting studies in various portrait impressions."

"The usage of color transformed my work and added another dimension to the possibilities of creativity and focused on abstraction within the areas of urban and rural landscape influenced by the work of Harry Callahan and Joel Meyerowitz. This period of my work continues to the present time with studies in both the “Deadpan” and abstracted styles."

“Colour has always fascinated me. It is the first thing I see; then comes shape and form. As an abstract artist, I use color to interpret the way I see the world.”

I'm inspired by humanity and its various cultures.Through my artworks, I aim to create a bridge between the past, the present, and hopefully, the future."

"I explore other worlds that sometimes manifest themselves in our world and influence it. My paintings are artifacts from expeditions to parallel dimensions. The works are united by a common concept, the interweaving of storylines and a geographical map."

“I do enjoy the process of uncertainty. "Half Empty, Half Full," is my current portrait painting series which represents two opposite emotions which then conflict with each other simultaneously.”

"The photography is the beginning of the idea. The paper as a support for watercolor painting interacts with the work intervening with the textures obtained after its treatment, with the aim of being an integral part and protagonist, at the same time, together with the painting of the treated subject. I paint, tear, paste, sew the paper, to create a pictorial work in which the paper takes center stage and interacts with the concept to be expressed."

My practice is process-led, exploring drawing in its broadest sense. Currently, I am exploring drawing in the landscape with recycled materials, recycled papers and digital media."

"My work celebrates the beauty of the female form and spirit. While my aesthetic sense springs from wonder at the variety and mystery of the body's physical reality, my photographs are primarily aimed at recording the beauty of the female form from an abstract point of view."

"In my work, the paper lotus is inspired by the lotus pods without seeds. It brings forth a feeling of being left out. These empty lotus pods reference my experience with postnatal depression. My sculpture uses traditional elements to explore very personal, yet universal, experiences of motherhood."

"For me painting is more than creating a picture; it is about telling a story from the heart and expressing past experiences. In my work necessity and chance converge into new possibilities."

I have found a place where science, spirit, and art converge. It is in this peaceful place where time expands and endless possibility exists."

"I see things. It is what I am here for. In a pushbutton world where everything is digital and everyone a photographer, ambiance is distinction. We all have different limits and you must sometimes see the edge to find yourself."

"Photography is my way of entering a magical ‘Between World’ – a world that is more vital and real than our everyday illusory experience would have us believe. Playing with mystery and fooling with dark and light allows me to reveal half-truths within my sanctuary of harmony and serenity."

"For me, ICM technology is a means of expression in photography. The intentional movement of the camera often results in exciting "painterly" effects. A detachment from the form and color of the representational motif fascinates me and allows for a broader artistic interpretation."

"My carving style is inspired by iconic images found in folk, tribal and primitive art. The themes I choose are personal yet universal. My love for the natural world and my concern for the environment translate into works about the complex relationship between humans and nature in this modern age."

"I have always been attracted to forms and lines since I was a child. I see motifs of life reflected in my work including organic forms, elemental forces, body parts of humans, insects and animals. My art-making is a spiritual process; a search for the essence of objects."