abstract – Page 2 – Circle Foundation for the Arts

Katarina Kalmanova

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Katarína Kalmanová is a mixed media and abstract artist, Fine Art teacher and lecturer. She was born in Lučenec, Slovakia, residing in Bratislava and graduated from the Faculty of Education in Fine Arts, Univerzita Konštantína Filozofa in Nitra, Slovakia. In her professional career, Katarina has been concurrently working in the marketing field and developing her art language. Since 2011 she has been participating in collective and solo art shows or Art Fairs in Europe and USA )e.g. Italy, Lithuania, Czech and Slovak Republic). Her paintings can be found in many private collections worldwide. Katarína lives with her husband and children in Bratislava.

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Daniel Reymondin

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Betsy Stewart

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"I have had over 43 solo exhibitions in the USA, Canada and Saudi Arabia. My work has been included in group exhibitions worldwide. Museums and corporations have included my art in their permanent collections: for example, embassies of Finland, Egypt, Barbados and Mexico, US embassies in Pakistan and Barbados, the Kreeger Museum, Corcoran Gallery of Art, Washington Convention Center, World bank Headquarters, Ogden Museum of Contemporary Art, Bellagio Hotel, Robert Lehrman Foundation.

In addition, as a selected artist by the US Department of State's Art in Embassies Program, my work has been installed in U.S Embassies of France, Greece, Egypt, Barbados, Bangladesh and Mexico. Group exhibitions include France, Egypt, Turkey, South Africa, India, Denmark, Greece and Mexico.”

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Jeff Newman

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Jeff Newman explores the relationship between Darwinian evolution and art. He believes that artists' use of the internet represents a significant shift in human culture, with implications for human evolution.

The evolution of art, from the earliest cave painters to the abstract art of the 20th century, took 64,000 years. However, today, it only takes seconds for a painter on one side of the world to see the work of another painter elsewhere. According to Newman, this immediate access to other artists' work creates a virtual conversation among artists and influences what and how they paint. He asserts that the global connectivity of artists is a driving force behind artistic and, more broadly, human evolution.

Jeff's exposure to art began early in his life, within his grandmother's library, which contained works of Russian academic art and various artistic movements of the 19th and 20th centuries. He received formal training in academic drawing and painting from Iliya Mirochnik, Slava Korolenkov, and the Bridgeview School of Fine Arts in Queens, NY.

In 1968, at the age of 13, Jeff visited his uncle Jim's art gallery, Dilexi, during a family vacation in San Francisco. The gallery was renowned for avant-garde art movements and the artists it represented. During his visit, Jim Newman introduced Jeff to the artists associated with the gallery. Jeff recalls, "I thought I had met the coolest people on the planet and was captivated by everything and everybody there."

Jeff earned his BA in Biology from Creighton University and then pursued an MS in Bio-Systems Engineering at the University of Nebraska. For Newman, science is as integral to his thought process as art. He believes that science and art are creatively linked disciplines that share a common lineage. To illustrate this point, he references the example of asking a child and an adult what the last common ancestor of a dog and a human looked like. While 45% of adults may argue about religion, a child would simply draw a picture.

Jeff's artwork has been showcased in galleries and art shows throughout New York City, including SOHO, the East Village, the Bowery, and Chelsea.

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Marly Hendricks

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Marly Hendricks (b.1963 in The Netherlands) completed her studies at the Amsterdam School of Fine Arts in 1989. She currently works as a visual artist in Amsterdam, focusing primarily on painting, drawing, and illustration. Rather than being lost in her own thoughts, she immerses herself in her surroundings, always observing and engaging with them.

Hendricks seeks to portray her environment as she experiences it, with a particular emphasis on the everyday and mundane aspects of life. She recognizes that the starkness of reality can sometimes obscure the intangible essence, the unsayable. Her artwork strives to capture and convey these elusive elements. While observation serves as her foundation, she skillfully balances recognizability with abstraction, openness, and interpretation when painting or drawing. Attention to detail and precision are paramount in her creative process. She aims for simplicity, eliminating any unnecessary distractions or "noise" from her compositions.

In her work, Hendricks often chooses to depict specific details, which simultaneously serve as memories of the complete image. This intimate approach aligns with the inherent intimacy and slowness of the drawing technique. Particularly in our fast-paced world, she values the meditative quality and unhurried pace of drawing. It allows her to fully immerse herself in the subject and capture its essence.

Above all, Hendricks' art delves into an inner landscape rooted in reality but intertwined with memories and universal experiences. Her work resonates with a sense of personal connection and invites viewers to explore their own emotional landscapes.

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Marc Aronson

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Solo Exhibitions:

2020: i. e., Edison, WA
2009: O.K. Harris Works of Art, New York, NY
1974: Warren Benedek Gallery, New York, NY

Select Group Exhibitions:

2021: London Art Beinnale, London, UK
2021: i.e., Edison, WA
2020: The Art of Planetary Science, Lunar and Planetary Laboratory, University of Arizona, Tucson, AZ
2019: Mighty Tieton Warehouse "10 x 10 x 10 Show," Tieton, WA
2017: London Pop Up Art Fair, Sunny Art Centre, London, UK
2012: 80 WSE, New York University, New York, NY
2009: OK Harris Works of Art, New York, NY
2008: Chung Ang University, Three Person Exhibition, Seoul, South Korea
2000: National Competition Finalists' Exhibition, Provincetown Art Association and Museum, Provincetown, MA
1996: Art of the Northeast USA, Silvermine Guild Arts Center, New Canaan, CT
1995: Small Works Exhibition, 80 Washington Square East Galleries, New York, NY
1992: America 500, Centro Cultural Recoleta, Buenos Aires, Argentina
1991: National Midyear Exhibition, Butler Institute of American Art, Youngstown, OH
1980: Foster White Gallery, Seattle, WA
1978: Aldrich Museum of Contemporary Art, Ridgefield, CT
1977: Organization for Independent Artists, Federal Courthouse, Brooklyn, NY
1974: Warren Benedek Gallery, New York, NY
1971: Seattle Art Museum Pavilion, Seattle, WA

Select Collections:

Time Warner Inc., New York, NY
Norman Chan, Hong Kong
Perry and Mary Walker, Memphis, TN
King County Library System Foundation, Burien, WA
Mikyeong Kim, Seoul, Korea

Grants - Fellowships:

1980: Fellowship, New York Foundation for the Arts
1976: Fellowship, National Endowment for the Arts

Selected Bibliography:

1975: Arts Magazine, Noel Frackman

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Robin Kerr

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Hailing from New Zealand and currently residing in Oregon, USA, Robin Kerr is an accomplished self-taught artist. In her earlier professional endeavors, Robin demonstrated her artistic prowess through digital illustrations for children's books and public awareness campaigns. However, she has since shifted her focus to the realm of mixed media abstract or abstracted-object painting.

Robin Kerr's artistic expression predominantly involves utilizing a combination of acrylic paint, fabric collage, wax pastel, ink, and graphite on canvas or wood panels, thus showcasing her versatility and creative range. Her exceptional body of work has garnered recognition through inclusion in esteemed juried shows, notable publications, and successful solo exhibits, along with the receipt of multiple esteemed awards.

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Dan Aug

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Daniel Augusto Chiesa, better known as Dan Aug, was born in Uruguay in 1956. His life has been marked by a passion for science, technology, and astronomy, which has led him to traverse the world, living in Italy and the United States, before settling in Montevideo, Uruguay.

Dan Aug's background in science, electronics, cosmology, and information technology sparked his interest in astronomy and space exploration, which eventually led him to the world of art. In 2002, he began his artistic journey, focusing on painting, and quickly gained recognition for his exceptional talent.

As a member of the International Association of Astronomical Artists (IAAA), Dan Aug has participated in numerous conferences and forums related to art and astronomy science, making a significant contribution to the field of art.

Dan Aug's artistic career reached new heights in 2005 when his artwork, "Xanadu Joyful Day," won first prize in a global art painting competition organized by The Planetary Society and the European Space Agency. This artwork was exhibited at the Operations Center of the European Space Agency in Darmstadt, Germany, and in Pasadena, California, USA.

Dan Aug's prolific work as an artist, which is inspired by the mysteries of the universe, science, and mysticism, has been exhibited in numerous national and international exhibitions. His artworks can be found in various private collections, and he has held dozens of solo and collective exhibitions worldwide since 2002.

Dan Aug's art is characterized by a unique and innovative approach that combines science and art in a captivating and meaningful way. His artworks often depict cosmic landscapes, celestial objects, and astronomical phenomena, offering a glimpse into the wonders of the universe.

In summary, Dan Aug is a distinguished artist whose career has been shaped by his passion for science, technology, astronomy, and space exploration. His exceptional talent and innovative approach have earned him a prominent place in the international art scene.

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Christa Schmid-Ehrlinger

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Born in Backnang, Baden-Württemberg, German painter Christa Schmid-Ehrlinger has studied German and French Language and Literature and has been a professional artist since 1996. She studied at Atelier CSE at Schwäbisch Hall with Prof. Hans Schlegel Stuttgart, Prof. Martin Schmid (Tübingen), Prof. Rolf Thiele (Bremen, Académie Galan-France).

Select Shows

2021 Salon d'Automne de Paris

2022 solo show "Christa Schmid-Ehrlinger" at Gallery Böhner Mannheim

"Ich - Kunst - Du" together with sculpturer Michael Schützenberger, Kulturmühle Rechberghausen

Art Karlsruhe , Gallery Böhner Mannheim

2023 solo show "Stück - Werk - Erinnerung", Wintergarten Hällisch Fränkisches Museum, Schwäbisch Hall

Art Karlsruhe, Gallery Böhner Mannheim

2020 "Corona Milliarden Projekt" solo show Sparkasse Schwäbisch Hall- Crailsheim, Galerie Böhner Art Karlsruhe, Salon d´Automne Paris

2019 Galerie Böhner Mannheim, Salon d´Automne Paris, Discovery Art Fair Cologne, 8. Künstlermesse Baden-Württemberg Stuttgart

2018 "Sichtbar" solo show Kreisdiakonieverband Schorndorf Edition VII LDX Artodrome Gallery Zebbug Malta, Skulpturenpfad Rechberghausen/Fils Baden-Würtemberg

2017 Kunstverein Ebersberg/München, 7.Künstlermesse Baden-Württemberg Stuttgart , Edition VI LDX Artodrome Gallery Zebbug Malta

2016 solo show "Üppig" IG Kunst Gaildorf Baden-Württemberg

2015 Shanghai Art Fair LDX Artodrome Gallery

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Marissa Madonna

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What themes does your work involve?

Themes in my work are story and sentiment. My work brings together inspirations from all throughout my life – from my childhood memories to the relationships and roads travelled into adulthood. Each part has brought growth that I love to capture in art.

Describe your creative process.

I begin each project by gathering reference materials, most often photographing live models. While there may be an idea in mind beforehand, sometimes working with the model will inspire an idea for a painting. One of my favorite parts of the process is composing my ideas into a preliminary sketch. The sketch is then transferred onto the final artwork surface – either hot press watercolor board or toned paper. A mixed media approach combines acrylic ink with colored pencil, and finally opaque white acrylic for highlights. The piece is built up in many thin layers, focusing on each detail while also seeing the picture as a whole to create balance in the composition. I think of the value structure and each element of the painting as instruments of an orchestra playing together in concert.

What influences your work? What inspires you? Why do you make art?

I am constantly inspired by the people in my life and the experiences along the way. My inspiration is an eclectic collection of memories and stories – sometimes even expanding upon real life in my artwork. My greatest artistic influences of all are my mentors from Hartford Art School. The techniques used in my work were handed down from them directly, and over time expanded upon in my own way. Always embracing my foundation in traditional drawing and painting techniques, I have been dedicated to carrying on the legacy of my mentors. They helped me grow not only as an artist, but as a person. I am truly grateful for their incredible support and influence in my life.

What is good art? What makes a piece of art great?

I think that good art tells a story in some way, evoking significant meaning for the viewer (or artist!) When these elements come together in a visually beautiful way is what truly makes art great to me. I believe every artist has their own unique voice and that there is something beautiful to be found in every piece of art. Each viewer brings their own experiences and influences with them when looking at art, making each viewing experience unique. In this sense, I believe that beauty is truly in the eye of the beholder.

What is the role of the artist today?

One of the most important roles of the artist is to tell stories, documenting the events and memories of today in a lasting and meaningful way through art. I see an artist’s greatest purpose as being able to inspire others, passing the torch to the next generations the way my mentors passed it on to me.

Katarina Kalmanova

"Painting is the opportunity to look inside, reconnect with my inner-self… It is my adventure and meditation. I use mainly acrylic and a mixed media technique which allows me to explore and play alongside and enjoy this amazing intuitive process."

Daniel Reymondin

“Quoique nous pratiquons un ART majeur nous sommes régulièrement dans l’incertitude et le doute en compagnie de nos créations comme un art mineur de fond afin que nos oeuvres soient un jour a la lumière."

Betsy Stewart

"I create paintings of microscopic and macroscopic nature: origins of life from a drop of water to systems in the vast cosmos I honor the words of the naturalist John Muir: "when we tug at a single thing in nature we find that it is attached to the rest of the world"."

Jeff Newman

“People often talk about their dreams. In this series, I turned inward with a desire to express my dreams on canvas. I’m not a poet. I’m a painter.”

Marly Hendricks

“I am seeking for the bridge which leans from the visible to the invisible through reality.”
- Max Beckmann

Marc Aronson

“My process relies on the redoing of an image, destroying and restoring. This rephrasing produces a work that is rife with references of the history of its own making. Through the layers of paint an internal light is produced. It is this imagined light that is my memories of a particular place.”

Robin Kerr

"I am an accidental immigrant, which puts you in a sort of limbo. My art reflects that. There is always some sort of mash-up; large shapes and tiny lines, blocks of color and specks of contrast, clean edges and smudges. It’s as though I am positive about some things but guessing at others."

Dan Aug

Christa Schmid-Ehrlinger