Monica Mendes

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"I am an artist who paints my surroundings, I am a representational and humanitarian artist who is disturbed by prejudices and social injustices. I strongly believe that as an artist, I have social responsibilities and through my art, I want to contribute to a better and fairer world for everyone."

Liberdade - Oil on linen 43 x 35 in.

Monica Mendes was born in Belo Horizonte, Mexico and lives in Miami, USA. The artist has a degree in Public Relations and Physical Education. Despite a deeply rooted interest in art since childhood, Mendes not focus on art, until 2016 when she obtained her MFA degree in Painting at the Academy of Art University in San Francisco. Monica Mendes, an award-winning artist, regularly participates in various exhibitions, fairs and art shows around the world.

Ate Quando? - Oil on linen 40 x 32 in.
A gente Vai Levando - Oil on linen 47 x 37,5 in.
Comunidade do Morro - Oil on linen 45 x 22 in.
So Quero Paz - Oil on linen 44 x 36 in.

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Alan Mahood

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"There is no set formula for the way I work and every piece is unique in that respect."

Hall of Infamy - Digital media 30 x 30 in.

Alan is a digital photographer who is heavily influenced by nature and uses digital techniques to convey the mood and feel of the places he photographs. He sees digital photography as an outlet for creativity and experimentation. Alan appreciates art that tells a story, makes you look twice, and leaves you in doubt.

Sitting in Boredom - Digital media 20 x 30 in.
Losing His Hat 4 - Digital media 30 x 24 in.
Festa di Strada - Digital media 20 x 30 in.
Denied - Digital media 30 x 24 in.

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d W Whitfield

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"I believe that art needs to reflect and challenge the changes within all societies and attempt an insightful approach of challenge to avoid sinking into complacency and banality."

Untitled - Acrylic 120 x 80 cm

“Born a long time ago in the North East of England studying at Sunderland College of Art. To support myself, I took many jobs, mostly in cartography, land surveying and later for many years as a qualified psychiatric nurse before retiring at the age of 55 to concentrate fully on art. Throughout I drew and painted, illustrating books published by Heron(Steinbeck, Wheatley, Graves, Iliad) and exhibited in Manchester, London, Scotland and the USA.

My work at this time was in the surrealistic style using an airbrush and inks. Within the last few years, I felt my work did not develop, becoming stranded in technical expertise and lacking an emotive truthfulness. So I changed the medium to watercolor and brush, and this more freer fluid medium was reflected in the more expressive style I wished for away from the more exact, tight, controlled style inherent in surrealism.

Whilst still working in the figurative tradition, I believe as Francis Bacon stated, that a new realism is called for; and with this in mind, I attempt to create 'meaningful' painting rather than a decorative picture?

I believe that art needs to reflect and challenge the changes within all societies and attempt an insightful approach of challenge to avoid sinking into complacency and banality.

My specific interest lies in the interactive play of an individuals psyche within a personal or group dialogue; The 'truer' personal nature of such an individual is often hidden behind a bland mask of social etiquette; With this concept in mind, my work is not labeled or titled; so allowing the observer a greater and freer interpretation of my work without any preconceived ideas."

Untitled - Acrylic 120 x 80 cm
Untitled - Acrylic 120 x 80 cm
Untitled - Acrylic 120 x 80 cm
Untitled - Acrylic 120 x 80 cm

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CR Rousseau

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"Color is my energetic exchange with the world. I work with color and light, following where the energy takes me; sometimes that's a vibrant abstract, other times it's an impressionistic landscape or something else entirely. My work isn't about canvas, paint, style nor technique, it's about the adventurous pursuit of expression, meaning, connection to environment, each other and ourselves."

Northern - Oil on canvas 48 x 36 in.

Often creating scenes of nature through the lens of a happy traveler, Caroline Rousseau brings forward a dreamlike path of play and discovery. Rousseau explores styles and challenges previous approaches with oils, acrylics, water color, ink, photography, print, as well as "the kitchen sink".

Informally referred to as the Eighth of "The Group of Seven" Rousseau was privileged to be thought of as an American cousin to such a distinctive style. Elegantly breaking away from traditional landscapes, Rousseau embraces a personalized sense of the natural world with twists of imbued color wrapped into abstract forms, like a memory of a dream.

Rousseau exhibits primarily in Seattle and Edmonds, Washington, as well as in Carmel-by-the-Sea, Santa Barbara and Sausalito, California. Her work can be found in private collections internationally.

Coastal Abstract - Oil on canvas 30 x 30 in.
China Cove - Triptych, Oil on canvas Ea. 12 x 12 in. each
Cruising Scenic - Oil on canvas 36 x 48 in.
Lavender Sky - Oil on canvas 16 x 16 in.

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Maureen Gillespie Art

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"My passion is to create a piece of work that has sensory value to the viewer. Inspired by nature, capturing moments from walks by the coast or countryside, catching the light on a wave, or glimmer of sunlight through the trees. Making quick sketches and transferring them onto canvas in my studio."

Lily Pond - Oil on canvas 50 x 50 cm £600

Oxfordshire - Maureen Gillespie, a talented artist born in Ireland, has been making significant strides in the art scene. Despite lacking formal art qualifications, Gillespie's natural talent and unwavering dedication to her craft have propelled her artistic development. Now residing in Oxfordshire, she has successfully balanced her artistic pursuits with professional work and raising a family.

From a young age, Gillespie displayed a deep passion for art. Although she excelled as an art student, she did not pursue any formal art qualifications. Nevertheless, her artistic journey continued to evolve as she nurtured her skills while navigating the responsibilities of her personal and professional life.

Gillespie's artistic prowess blossomed through a combination of self-teaching and guidance gained from residential courses at The Norfolk School of Art. It is through these experiences that she honed her distinctive style, characterized by vibrant land and seascapes, and an astonishing use of color. Her artwork emanates energy and captures the essence of the natural world.

With a growing reputation preceding her, Gillespie's art has garnered widespread attention in the United Kingdom and the Middle East. Her unique creations have found homes in the collections of art enthusiasts who appreciate the vivacity and depth of her work.

In 2010, after a successful career as an HR Director, Gillespie made the pivotal decision to retire and dedicate herself fully to her passion for art. This transition allowed her to explore new artistic horizons and further develop her artistic expression.

Maureen Gillespie's journey serves as an inspiration to aspiring artists, showcasing the power of determination, self-teaching, and pursuing one's passion. Through her vibrant artwork, she continues to leave an indelible mark on the art world, capturing the hearts and minds of art lovers across the globe.

 

Select Shows

2012 - invited to exhibit 4 artworks in a new Oxfordshire gallery, opened by UK PM - David Cameron.

2014 - Solo Exhibition, and featured article in the Oxford Times

2015 - Awarded Artist Residency at Cill Rialaig in Ballinskelligs, co. Kerry Ireland,

2018 - Artwork selected and published in the Oxford Art Book, 

2019 - Solo Exhibition for BNP Paribas Bank in Jersey.

On the Charente - Oil on board 43 x 33 cm £400
Night on Thames - Mixed media on paper 62 x 55 cm £500
Where the sky meets the sea - Oil on board 92 x 67 cm £700
Clouds over Bamborough Castle - Oil on canvas 89 x 64 cm £700

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Christa Schmid-Ehrlinger

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Erinnerung Landschaft 3, 2022 - Ink Acrylic on Canvas 100 x 100 cm €3,200

Born in Backnang, Baden-Württemberg, German painter Christa Schmid-Ehrlinger has studied German and French Language and Literature and has been a professional artist since 1996. She studied at Atelier CSE at Schwäbisch Hall with Prof. Hans Schlegel Stuttgart, Prof. Martin Schmid (Tübingen), Prof. Rolf Thiele (Bremen, Académie Galan-France).

 

Select Shows

2021 Salon d'Automne de Paris

2022 solo show "Christa Schmid-Ehrlinger" at Gallery Böhner Mannheim

     "Ich - Kunst - Du" together with sculpturer Michael Schützenberger, Kulturmühle Rechberghausen

     Art Karlsruhe , Gallery Böhner Mannheim

2023 solo show "Stück - Werk - Erinnerung", Wintergarten Hällisch Fränkisches Museum, Schwäbisch Hall

     Art Karlsruhe, Gallery Böhner Mannheim

2020 "Corona Milliarden Projekt" solo show Sparkasse Schwäbisch Hall- Crailsheim, Galerie Böhner Art Karlsruhe, Salon d´Automne Paris

2019 Galerie Böhner Mannheim, Salon d´Automne Paris, Discovery Art Fair Cologne, 8. Künstlermesse Baden-Württemberg Stuttgart

2018 "Sichtbar" solo show Kreisdiakonieverband Schorndorf Edition VII LDX Artodrome Gallery Zebbug Malta, Skulpturenpfad Rechberghausen/Fils Baden-Würtemberg

2017 Kunstverein Ebersberg/München, 7.Künstlermesse Baden-Württemberg Stuttgart , Edition VI LDX Artodrome Gallery Zebbug Malta

2016 solo show "Üppig" IG Kunst Gaildorf Baden-Württemberg

2015 Shanghai Art Fair LDX Artodrome Gallery

Automne (Herbst), 2023 - Acrylic on canvas 90 x 90 cm €3,200
Evocation automne 5, 2022 - Acrylic on canvas 100 x 100 cm €3,200
Evocation automne 4, 2022 - Acrylic on canvas 100 x 100 cm €3,200
Fin d été (Spätsommer), 2022 - Acrylic on canvas 100 x 100 cm €3,200
Üppig 3, 2015 - Acrylic on canvas 100 x 100 cm
Line des Augen-Blicks 1, 2019 - Acrylic on canvas 100 x 100 cm
Auf Magenta Nr.2, 2018 - Acrylic on canvas 100 x 100 cm
Linie des Augen-Blicks 3, 2020 - Acrylic on canvas 100 x 100 cm
Linie des Augen-Blicks 2, 2020 - Acrylic on canvas 100 x 100 c

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Marissa Madonna

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Born in: 1990, United States
Lives in: Wilmington, North Carolina, United States
Describe your art in three words: Representational, Detailed, Sentimental
Education: BFA in Illustration from Hartford Art School
See More Work:  www.marissamadonna.com

Ballerina in Blue - Acrylic and Colored Pencil on Hot Press Watercolor Board, 15 x 12 in.

"My artwork is inspired by visual storytelling and capturing my subject’s likeness. A mixed media approach combines the freedom of laying bold washes with the tight control of drawing. As the piece is built up in many thin layers, I can carefully explore all the details. Quilting these details together as a visual story is where I find my greatest artistic passion."

What themes does your work involve?
Themes in my work are story and sentiment. My work brings together inspirations from all throughout my life – from my childhood memories to the relationships and roads travelled into adulthood. Each part has brought growth that I love to capture in art.
Describe your creative process.
I begin each project by gathering reference materials, most often photographing live models. While there may be an idea in mind beforehand, sometimes working with the model will inspire an idea for a painting. One of my favorite parts of the process is composing my ideas into a preliminary sketch. The sketch is then transferred onto the final artwork surface – either hot press watercolor board or toned paper. A mixed media approach combines acrylic ink with colored pencil, and finally opaque white acrylic for highlights. The piece is built up in many thin layers, focusing on each detail while also seeing the picture as a whole to create balance in the composition. I think of the value structure and each element of the painting as instruments of an orchestra playing together in concert.
What influences your work? What inspires you? Why do you make art?
I am constantly inspired by the people in my life and the experiences along the way. My inspiration is an eclectic collection of memories and stories – sometimes even expanding upon real life in my artwork. My greatest artistic influences of all are my mentors from Hartford Art School. The techniques used in my work were handed down from them directly, and over time expanded upon in my own way. Always embracing my foundation in traditional drawing and painting techniques, I have been dedicated to carrying on the legacy of my mentors. They helped me grow not only as an artist, but as a person. I am truly grateful for their incredible support and influence in my life.
What is good art? What makes a piece of art great?
I think that good art tells a story in some way, evoking significant meaning for the viewer (or artist!) When these elements come together in a visually beautiful way is what truly makes art great to me. I believe every artist has their own unique voice and that there is something beautiful to be found in every piece of art. Each viewer brings their own experiences and influences with them when looking at art, making each viewing experience unique. In this sense, I believe that beauty is truly in the eye of the beholder.
What is the role of the artist today?
One of the most important roles of the artist is to tell stories, documenting the events and memories of today in a lasting and meaningful way through art. I see an artist’s greatest purpose as being able to inspire others, passing the torch to the next generations the way my mentors passed it on to me.
Timeless Collection - Acrylic and Colored Pencil on Hot Press Watercolor Board, 11.75 x 11 in.

 

This interview was published by Circle Foundation of the Arts. © CFA Press ∙ Images are courtesy of the artist

Michael Potts / MYQ

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Born in: 1977, USA
Lives in: Phoenix, Arizona, USA
Describe your art in three words: Spiritual, Reflective, Mind-expanding
Education: BA - English, Minor in Chemistry - Bucknell University
See More Work:  https://myq-art.com | IG:MRP_Visionaries

Reflection -
Archival Epson Digital Photography Print - $500 - 11x14 image on 13x19 paper

"In my underwater work I seek moments of sublime peace (that fine line where the conscious and subconscious meet) and the creative chaotic (where energy is released that fine line is broken and the potential becomes kinetic). I see the water as a metaphor for a dream medium and I try to meet my subjects on that boundary and hope that we are able to take the viewer from tranquil peace."

What themes does your work involve?
My work the last few years has focused on rebirth, renewal, and new beginnings using water and bright light sources to express these themes.
Describe your creative process.
Most of my work is discovered in that I rarely plan it out ahead of time. There have been a few successful pieces that I conceived and created, but most are in the moment and found in the making.
What influences your work? What inspires you? Why do you make art?
I love high contrast black and white with water and bright light that is either peaceful or contains an element or flavor of the abstract. However I think being able to work with people I like is the best part of it and I want to create with those people because then the image means more to me, and if I love it there's a greater chance the viewer will feel that.
What is good art? What makes a piece of art great?
There's the rub. There are different ways to answer that. You could say any piece that gets made is good because someone took the time and energy to create it. We could say that art needs that je ne sais quoi element that elevates it to meaning. Maybe it just needs to connect to someone, and I suppose we could say that the more people it connects to the "better" it is, but mass also breeds mediocrity. Ultimately it should speak to the human condition and a truth about our being and existence.
What is the role of the artist today?
I think art should first be for art's sake, but if an artist is able to see outside of the box of daily life and question "why are we doing what we're doing?" then the role is to provoke the question and perhaps offer a possible solution.

 

This interview was published by Circle Foundation of the Arts. © CFA Press ∙ Images are courtesy of the artist

Bryce August LeFort

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Born in: 1984, Philadelphia,PA, USA
Lives in: Los Angeles, CA, USA
Describe your art in three words: Fluid Intentional Respectful
Education: University of Pennsylvania – BA
International Yacht Restoration School
California College of the Arts – MFA
See More Work:  www.theaugustmade.com

Let's Meet Back Here - Laminated Poplar ; 5' x 8' x 5' ; $11800

"My work is an intersection of organic design and craftsmanship. My sculpture originates from the traditional, yet contemporary, art form of boatbuilding. It evolves from the developing of techniques and processes, to create pieces that are immersed with fluidity and movement. With a tireless pursuit of excellence, my work is immersive and inspirational as both art and craft."

What themes does your work involve?
In my work, I hope the process and production stand equal in content as their result. I create pieces built on the techniques and craftsmanship of generations of makers that honors their history. The time and dedication allow me to reflect what I see and want to see in the world around me. In my art, I capture fluid movement and passage of time in the moment.
Describe your creative process.
Each of my works is arrived at differently. Some pieces are fully conceived, and it becomes a process of how to create the work. Other pieces are born from a material or technique that I think needs to be explored further to realize the possibilities. Almost all my work is a combination of the two creative processes. My practice is a journey that is constantly evolving as I work.
What influences your work? What inspires you? Why do you make art?
Everything influences my art. How objects around us are made, the materials, shapes, color, and our interactions with each. Nature and specifically the ocean I feel a deep connection. The fluid movement of water and my background as a boatbuilder resonate throughout my practice. I hope my work can inspire others to look for the potential in materials and process, not to replace what exists but to evolve and expand.
What is good art? What makes a piece of art great?
The best part of art is it can be great in different ways to everyone. For me being able to make art is a gift, that I try to pass along to the viewer. Great art draws in the viewer, it can shift our perspective of what is possible, it can completely capture a feeling or a moment, it can transport us to a place we have never been, or we are eager to return. Great art is made with respect for the materials, process, and the viewer.
What is the role of the artist today?
I believe an artist is responsible for listening as well as communicating. While the individual artist can only create from their own perspective, it is experienced by many. An artist can look beyond oneself to give the viewer the opportunity to participate with the work. An artist is a vessel for creation, that does not conclude upon completion, it continues with the viewer in their thoughts and memories. It is an honor.
Paper Rings - Laminated Douglas Fir and Copper Foil ; 36" x 32" x 16" ; $1750
The Way I Am (2022) - Laminated Douglas Fir ; 7' x 5' x 5' ; $12500
Ain't No Mountain High Enough, 2022 - Laminated Douglas Fir ; 48" x 54" x 28" ; $4200
Call My Name, 2023 - Laminated Mahogany ; 68" x 38" x 10"

 

This interview was published by Circle Foundation of the Arts. © CFA Press ∙ Images are courtesy of the artist

Heather Allison

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Born in: 1982, United States
Lives in: Santa Cruz, California, United States
Describe your art in three words: Dramatic, Contemplative, Emotional
Education: M.F.A. Fine Art Photography, Academy of Art, projected graduation Spring 2023
B.F.A. Art History, Academy of Art
A.A. Photojournalism, Brooks Institute of Photography
Master degree Diploma
See More Work:  http://www.heatherallisonphotography.com

Copia - Photography, 32"x22", $2000

"Preoccupied with mortality most of my life, the unexpected loss of my father inspired my fine art work with focused on grief, memory, and death. I embrace the long-standing tradition of vanitas tableaux in an effort to acknowledge death and the beauty of living."

What themes does your work involve?
My work embodies concepts of grief, mortality, mourning, and death. While this may sound morbid, it is instead about inspiring life through an acknowledgment of our mortality. Grief is complex and never really goes away, but it does change with you as you change. I document my own experience of grief in my still life work and look to connect with the dead and living. I play with color theory to evoke emotion and use light to communicate feeling.
Describe your creative process.
My process begins with an inspiration or concept for an image. I then go about collecting all the props needed to realize the vision. I use antique objects, period correct when I able, I use fresh flowers and sometimes bone to fill my compositions. I spend a lot of time at antique shops searching for the perfect item for a work and tracking things down through antique dealers. I also work closely with my local florist to ensure I am able to find the flowers I want to include. Additionally, a few years ago, I started growing flowers in my own garden so there is always something blooming to photograph. I can spend anywhere from four to twelve hours on a composition, moving the objects and making adjustments so everything is just right before I click the shutter.
What influences your work? What inspires you? Why do you make art?
I find influences everywhere, and often in unexpected places. That said, the focus of my work shifted following the death of my father. I found myself lost in grief and felt so alone. I became obsessed with the mourning and death rituals of all cultures and how these have changed over time to become what they are today. I began to indulge this fixation through my still life work. I am extremely inspired and informed by the 17th century Dutch Masters, their lighting, the light of Caravaggio, and art history in general. I make art to connect with others, my experience, and the world around me.
What is good art? What makes a piece of art great?
This is such a loaded question! For me, connection and emotion is what makes art great. While the Northern Renaissance painters will always have a huge place in my heart, I love experiencing art across all mediums. Some of my most emotional experiences have been with abstract expressionist works. What makes a piece of art great for me is that deep communication that can happen between artist and viewer. If something makes me smile, makes me cry, makes me feel what the artist who created the work was feeling, if it reminds me of something in my own experience, if I carry that work with me after seeing it, it is a great piece of art.
What is the role of the artist today?
The role of the artist today is complex, but also simple. I chose art because it is a way for me to create beauty, to celebrate all aspects of life, and to explore the human experience. I think art should be accessible to all and should be a conduit for open communication and expression. I hope that art and the artist are able to inspire uncomfortable conversation, provide refuge, understanding, and joy. In my work, I aim to create a safe space for anyone and everyone to connect and find themselves and their experiences in the imagery.
Brevis - Photography, 18" x 22", $1200
Hām - Photography, 18" x 23", $860
Cyclus - Photography, 19" x 24", $900
Hāēlan - Photography, 19" x 24", $900
Lifian - Photography, 22" x 14", $60
Fallen - Photography, 23" x 18", $860
Sāwan - Photography, 22" x 14", $600
Vanus - Photography, 24" x 19", $960
Memorie - Photography, 22" x 14", $600

 

This interview was published by Circle Foundation of the Arts. © CFA Press ∙ Images are courtesy of the artist