"I like my paintings to be strong, whether from colour, form or something else. I want them to invoke an immediate reaction, either confronting the viewers or drawing them into the work. They do not require much analysis or philosophical consideration, but rather appeal to the emotions."
Primarily self-taught, Georg Douglas has attended courses at Reykjavík College of Art and Kópavogur College of Art continually for about 15 years. He exhibits regularly since 2010 both in group and solo shows and his work has been published in international art magazines and websites. In 2017, Georg Douglas was accepted as a member of The Association of Icelandic Visual Artists (SÍM). Full details on exhibitions, awards and published work can be found on his website.
"I like my paintings to be strong, whether from colour, form or something else. I want them to invoke an immediate reaction, either confronting the viewers or drawing them into the work. They do not require much analysis or philosophical consideration, but rather appeal to the emotions and create an atmosphere. The world of flowers and Irish dance has been my inspiration for some time.
My flower inspired paintings use strong colours and form and I also extend the field of view by incorporating microscopic and molecular elements. I like to obfuscate by ignoring scale and jumbling elements which I feel comes closer to nature itself than realistic painting.
In my dance-inspired paintings, I want the viewers to experience the flashes of light on the moving dancers and their bright costumes and in their mind to hear the thundering Irish music.”
“The delicate abstract paintings of Irish artist Georg Douglas display a vibrant rhythm. Through the masterful blending of lively colors and the complex intertwining of resonant lines, each composition echoes a unique abstract melody. The paintings are very lyrical and it is no surprise that Douglas is inspired by music.
Often large in scale, the works have a celestial quality maybe reminiscent of a moment of creation with an explosion of broken down motifs coming together through a radial balance that guides the viewer's eye around the canvas and toward the center of the creative drama.
Observing the body of the artist's work it becomes quickly evident that he has built up a unique approach which is recognizable yet not repetitive. Georg Douglas' paintings can be likened to abstracted visual rhapsodies reflecting upon an idiosyncratic painting style with each piece reverberating a fresh, passionate melody.”
- Circle Foundation for the Arts, Director
This review was published by Circle Foundation for the Arts © CFA Press ∙ Images are courtesy of the artist