"The process of my art making is a way to express my personal response to the world around me with a distinct technique and style. It is a profound self-communication and a visual representation of my mind."
Reconcile #1 - Mineral pigment and coffee residue rubbed on scored watercolor paper 113 x 165 cm
Repetition, stillness, and rhythm are essential elements in Catherine Pickop’s work. She is particularly interested in how art can help to express internal emotions and rationalize inner thoughts. She began using coffee residue as a material in her art-making, exploring feelings consciously and subconsciously as a method of self-discovery. Her works become a visual reflection of her mind, the process of her art-making describes how she sees the world, reconstructed on paper in minimal abstract form.
After exploring different media through her early stage, she is now more focused on drawings with natural mineral pigment and coffee residue. She created her own method and gesture of rubbing natural mineral pigment on paper which is a direct and intimate way of painting. Each painting evolves from a combination of carefully planned structure and the immediate sensation of application and removal of pigment. The carefully calibrated neutral tones create complex spatial compositions which invite the audience to appreciate movement and subtle variations of color.
Catherine Pickop lives and works in Hong Kong.
Rhythm - Mineral pigment and coffee residue rubbed on pencil drew watercolor paper 76 x 56 cmLast Night I Dreamt of Macondo - Mineral pigment and coffee residue rubbed on scored watercolor paper 56 x 76 cm
The Counterpart - Mineral pigment and coffee residue rubbed on scored watercolor paper 38 x 28.5 cmEccentric - Mineral pigment and coffee residue rubbed on pencil drew watercolor paper 56 x 76 cm
"I photograph the diminutive landscapes of wild and garden flowers, leaves and grasses, and the birds, bugs, and butterflies that dwell within. My montages merge these photographs with clouds, streams, waterfalls, bubbles, and splashes of color. I intertwine multiple layers into a final composition."
Winsome - Photomontage 28 x 28 in.
"Growing up in California, under the spell of such luminaries of photography as Ansel Adams, Imogen Cunningham, and Edward Weston, I was entranced with the photographic process.After receiving a sensible college degree, I went on to study photography at Brooks Institute of Photography. I left Brooks to begin a career with the Federal Government documenting wildfires for the Bureau of Land Management. During my Federal career, I worked as a photographer, a public relations specialist and National Deputy Director for BLM’s Office of Fire and Aviation. Over the years my work has evolved from documentary photographs into creating fine art multi-layered digital photomontages.
My photomontages may be composed of up to 70 different layers.A layer may be an original digital photograph, a digital creation such as flare, fog, stars, shadows, color splashes or a layer may modify another layer by adjusting exposure, hue, saturation, color, and/or texture.
I have studied under some of the masters of photography including workshops with Al Weber, Philip Hyde, Maggie Taylor, and Ysabel LeMay. In addition, I had the great honor of being selected to work as an assistant to Ansel Adams at one of his Yosemite Workshops.
I was a finalist in the Julia M. Cameron Award for Women Photographers - Alternative Processes 2016 and had my work exhibited at Berlin Foto Biennale - 4th Biennial of Fine Art & Documentary Photography. My work is currently being exhibited at Friedman Memorial Airport, St Luke's Medical Center, 7Fuego Restaurant and Bellevue Public Library.”
Mordor - Photomontage 28 x 28 in.Blossoms - Photomontage 28 x 28 in.
Bouquet - Photomontage 28 x 28 in.Florescence - Photomontage 28 x 28 in.
"I explore other worlds that sometimes manifest themselves in our world and influence it. My paintings are artifacts from expeditions to parallel dimensions. The works are united by a common concept, the interweaving of storylines and a geographical map."
Approach to the Core of Matter - Oil on MDF 50,5 x 51 cm
“Belarusian artist, Aleksandr Shablyko creates sublimely intricate tableaus which draw the viewer into complex parallel universes of mythical and transcendental aura. Brushstroke by brushstroke these painstakingly builts paths which invite us into the otherworldly and feast in a buoyancy of color and texture. A cohesive body of work, Shablyko’s paintings are very recognizable and unique.”
- Myrina Tunberg Georgiou (Circle Foundation Curator)
Evening Twinkle - Acrylic on MDF 52 x 42 cmDragon Road - Acrylic on canvas 45 x 60 cm
Under the Diamond-Shaped Moon - Oil on MDF 88 x 56,5 cmThe Ark and the Axis of World - Oil on MDF 50 x 80 cm
"I have always been attracted to forms and lines since I was a child. I see motifs of life reflected in my work including organic forms, elemental forces, body parts of humans, insects and animals. My art-making is a spiritual process; a search for the essence of objects."
My Name Is New Day, 2017 - Oil and glue on stone powder clay 14.5 x 16 x 13.5 in. / 36.5 x 41 x 34 cm
Satomi Sugimoto was born in Fukuoka, Japan, in 1982 and currently lives and works in Tokyo. She received her BFA from School of Visual Arts in New York. As a sculptor, she creates intimate-scale forms which are very raw, primitive, and organic with a very sensitive use of painting. She sees her art-making is a spiritual process; a search for the essence of objects and a process of purification where a single element is explored, honed and expressed.
Bird, 2018 - Oil, glue, and steel wire on stone powder clay 13.4 x 16.1 x 6.1 in. / 34 x 41 x 15.5 cmDancer, 2018 - Oil, glue, and steel wire on stone powder clay 19.3 x 23.6 x 8.6 in. / 49 x 60 x 22 cm
Ballerina, 2017 - Oil, glue, and steel wire on stone powder clay 14.5 x 20 x 10.5 in. / 37 x 51 x 26 cm Moonlight , 2017 - Oil and glue on stone powder clay 18 x 6 x 10 in. / 46 x 15 x 25.5 cm
Daisuke Okamoto’s drawing “OKAINA IMAGE” investigates the cycle of life in the complex, biomorphic, narratives of the organic. Influenced by all that are sci-fi, nationalism and psychedelic culture; Okamoto’s drawings are intricate systems of penmanship.
Flying Whale - Mural
Raised in Tokyo, Japan, and currently living and working in Los Angeles, Daisuke Okamoto's art represents identity and transformation. With an intense passion for intricate ink line drawings, Okamoto has been known to work over a year on a single piece.
Represent LA MuralMushpace - Ink on paper 15 x 20 in.
The Deep Sea Fish - Ink on paper 6 x 6 in.The Beginning of Love - Ink on paper 11 x 14 in.
English
繁體中文
Dansk
Nederlands
Suomi
Français
Deutsch
Greek
עִבְרִית
Italiano
日本語
한국어
Português
ਪੰਜਾਬੀ
Svenska
Türkçe