"In my recent series of paintings, I have incorporated my love of skateboarding to explore themes of portraiture. With vibrant visceral iconic skateboard graphics coming from behind or bursting through the elegant black and white images of various iconic images of actors from classic Hollywood."
"A photo, a fingerprint, a signature, and DNA are all methods we use to identify a person, but they are just a means to match a name or face to an individual, not to describe who they are or to translate their identity. For as long as I have been using portraiture as the main focus of my paintings, it is not the identity or recognizable face in which I use to describe my portraits, but more of a blueprint of how I approach portraiture.
Many levels go into what makes a person’s portrait. It’s a fabric of many layers, intertwined with a person’s favorite foods, music, and movies. I have used all of these concepts in building my portraits. Stemming from my lifelong love of cinema, many of the subjects of my paintings are actors and actresses. However, I am not commenting on celebrity or the star system, but I use the celebrity as a hook to bring then viewer in. My work has never focused on the face to describe or examine a portrait. Instead, by cropping or hiding certain features of the face, I add more mystery to the portrait, bringing us to question who we are and what’s beneath the surface.
In my recent series of paintings, I have incorporated my love of skateboarding to explore themes of portraiture. With vibrant visceral iconic skateboard graphics coming from behind or bursting through the elegant black and white images of various actors and actresses, I’ve merged two of the most important parts of my life, skateboarding and art. I use the traditional format of the portrait, to simultaneously, comment on identity and create portraits that mean so much more than just the individual being painted. With most of my paintings, the figure is the focal point, but when all of the elements of the painting come into play, the work really explores the identity of others, not the subject being painted. There is so much to be learned from a person’s portrait, information that goes well beyond the face."
“American painter, Jason Bryant has a fresh approach to portraiture. For one, Jason has the hand-eye coordination and gift to be able to translate what he sees onto the canvas and yet the magic happens when he manages to combine that talent with an imaginative and personal interpretation of what a portrait could be. So after skilfully laying down the realistic aspects of the subject's likeness, Jason proceeds to "vandalizing" his own picture-perfect moments with maverick elements derived from comic, street and skate culture motifs.
His unique pop works combine these two radically different perspectives; the polished, cleaned and brushed up classic Hollywood look with the offbeat, unconventional street aesthetic of 80s-to-present skateboarding culture.
A signature characteristic of Jason Bryant's portraits is finding creative ways to obscure the identity of the depicted. Either by how he crops the composition or bombing the eyes with graffiti-like elements. This produces a work that is conceptually more universal; not speaking of an individual, and visually more compelling; it challenges our natural tendency to look for the eyes in order to identify the sitter.” - Circle Foundation for the Arts, Director
This review was published by Circle Foundation for the Arts © CFA Press ∙ Images are courtesy of the artist