IHARA

“My goal is to create a harmonious relationship between nature and artifact. By combining these two conflicting factors, we can remove nature (living organic matter) and non-natural boundaries.”

Moku-renma - Wood 10 x 7 x 8 m

Japanese sculptor, IHARA was born in 1943 and has been awarded at the Nika exhibit (Tokyo Metropolitan Art Museum) every year between 1967-74. In 1976 he became an Honorary Member of Japan Flower Arrangement Foundation. In 1986 he built a sculpture at Misawa Gate Riverside Park in Himeji City, Hyogo Prefecture and in 1989 3 of his sculptures were built on the main street of Kagawa Bridge station in Hyogo ken. Ihara’s has been commissioned numerous public sculptures in Japan as well as in the USA where he has exhibited many times and received awards.

1957 Former professor of Tenpo Misho-ryukado
School(Japanese traditional art)
1967-74 He is awarded the Nika exhibition (Tokyo Metropolitan Art Museum) every year.
1973 (The Imperial Highness Princess Takamatsu of the Imperial Family) Appointed as a special member of the Japan Ikebana Art Association
1980 Jodo Buddhism Seizan Zenrinji Buddhism Academy(Obtained
qualifications as a solemn teacher, a cloth teacher and a cultural member)
1967-74 He is awarded the Nika exhibition (Tokyo Metropolitan Art Museum) every year.
1972 Hyogo Prefectural Contemporary Art Museum Award Winner Awarded Tokyo Art Museum Special Award.
1973 Japan Flower Arrangement Special Member . 
1989 Three sculptures were built on the main street of Kagawa Bridge station in Hyogo ken.
1991 I built a sculpture of Sho-en Sculpture Center 10 in San Diego, California.
1992 The artwork was nominated for the exhibition and won the French Maubeugeu City Art Contest.
1995 Lithuania World Sculpture Symposium. One of the sculptures exhibited permanently at the European Central Art Museum in Lithuania.
1996 I built a sculpture in Nakao Park in Akashi City Hyogo Prefecture.
1998 I built three sculptures (permanent collection) in the Skokie North Shore Sculpture Park in Chicago. the year of 2000
2001 Traveling Exhibition II "Tree of Origin" at the entrance of Center for horticulture in Akashi City, Hyogo Prefecture.
Exhibition at Takashimaya Kyoto department store in Kyoto.
Traveling Exhibition "Tree of Origin" at the entrance of Osaka Museum of History, and Japan Broadcasting Cooperation, Osaka station (NHK) in Osaka.
2005 Erected 12 Sculptures of Soul Object in Okura Akashi Coast in Hyogo Prefecture.
2006 Erected a Sculpture in Kakogawa Kanno Park in Hyogo Prefecture.
2007 I built sculptures at Himeji Awa Park in Hyogo Prefecture .
2019 Moku-Renma(kigumi)was selected for an Honorable Mention Award.

En-en 2 - Wood 10 x 50 x 2 m
En-gi - Wood 8 x 18 x 4.5 m
Moku-renma - Wood 10 x 7 x 8 m
En-en - Wood 10 x 50 x 2 m

This review was published by Circle Foundation for the Arts © CFA Press ∙ Images are courtesy of the artist


 

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Gary Aagaard

"My work is the product of my environment over the last three decades. Generally, I've had a positive experience yet tend to be irked by frequent political and religious hypocrisy, general apathy and dogma of any stripe that leads to social and spiritual tunnel vision."

FOX Muse - Oil on canvas 18 x 24 x 1.5 in.

“As a fledgling illustrator in Brooklyn during the 1980s, I took on any project thrown my way. I refer to that time as my “snack or famine days”. Eventually, I zeroed in on editorial work and soon scored assignments at publications like The New York Times, Los Angeles Times and The Village Voice (primarily covers). Since the early 2000’s, I’ve concentrated on gallery work with an editorial, satirical slant; essentially larger oil paintings with conceptual content reminiscent of my illustration years.

Lampooning politicians, pundits or spiritual leaders who specialize in alternative facts, manufactured outrage, false equivalents, convoluted conspiracy theories and tunnel-visioned tribalism (whew!) is my form of protest and provides a satisfying outlet (i.e., it minimizes shouting at the TV, reduces those pesky nightmares and eliminates my quest to prove Jeff Sessions is actually an interloper from The Shire). Of course, visually addressing the daily insanity of politics, punditry or social upheaval requires an occasional break, which is when I paint relatively non-confrontational pieces.”

Being Jare (w/apologies to Chauncey Gardiner) - Oil on canvas 20 x 16 x 1.5 in.
Ma Nature Revisited - Oil on canvas 30.5 x 22 in.
She's A Concept, More or Less  - Oil on canvas 36 x 24 x 1.5 in.
Blinded by Delight Redux - Oil on canvas 30 x 20 in.

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Jenny Woods

The Country - 120mm film on Ciroflex

Jenny Woods is from a rising generation of self-taught photographers. Throughout her childhood in rural America, her camera was her best friend. Now residing in Brooklyn, her work evokes her own life: the turmoil of a small town girl fighting to make it in the city. She is an avid daydreamer, and one can see this dreamlike quality reflected in her art.

Hidden - 120mm film on Ciroflex
La Loba - Digital photograph
Lady - Digital photograph
Free - 120mm film on Ciroflex

Photographer Jenny Woods wins the 2nd Place Award, in Circle Foundation’s Artist of the Year Award. The prize included a personal artist monogram and was announced in January 2018.
Jenny Woods is from a rising generation of self-taught photographers. Throughout her childhood in rural America, her camera was her best friend. Now residing in Brooklyn, her work evokes her own life: the turmoil of a small town girl fighting to make it in the city. She is an avid daydreamer, and one can see this dreamlike quality reflected in her art.


This review was published by Circle Foundation for the Arts © CFA Press ∙ Images are courtesy of the artist


 

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